FUVEST 2012

Questão 23683

[…] Mara Glozman, docente de Semiología de la UBA, cree que plantear una “pobreza léxica” en ciertos grupos o colectivos supone que existen otros “colectivos o sectores que tienen una mayor amplitud léxica y eso suele asociarse a un mejor conocimiento de la lengua. Digo que ‘suelen asociarse a un mejor conocimiento lingüístico’ porque se trata de ideas que tienen más relación con las representaciones sobre la lengua que con las realidades lingüísticas de los hablantes.  
De acordo com o fragmento acima, Mara Glozman acredita que 

Questão 23684

No fragmento, “Pese a esa admonición, hay especialistas que son mucho más cautos.”, a palavra destacada pode ser substituída, sem alteração do significado, por 

Questão 23685

[…] lo que olvidan los defensores de la cantidad es que el poder del lenguaje no radica en las palabras, sean estas pocas o muchas, sino en la inteligencia que las asocia.  
No fragmento acima, o termo em destaque introduz uma ideia cuja relação de sentido com o trecho anterior é de 

Questão 23686

The Art and Heart of Blind Photographers 

By Matt Kettmann Santa Barbara Sunday, May 17,2009

Blind photography: the very concept sounds like an oxymoron. But an intriguing and often striking exhibition of photographs in Riverside, California, argues that it emanates from the core of contemporany art. The show 'Sight Unseen,' at the Clifornia Museum of Photography auntil Aug. 29, features everything from underwater scenes off Catalina Island, transvestites in New Orleans and Brailleenhanced black-and-whites as well as portraits, nudes, landscapes, travel shots, abstracts, collages, and context is blindness: the photographers are legally blind, some born without sight or with limited vision over time. And that is why, argues the man who organized the show, they are at the very heart of art. 

'The whole trajectory of modern art for the last 100 years has been toward the concept of mental construction, and blind photography comes form that place,' says the show"s "sighted" curator Douglas Mc Culloh, himself a photographer . ' They"re creating that image in their head first — really elaborate, fully realized visions —and then bringing some version of that vision into the world for the rest of us to see. ' A sample of the photographs posted by TIME.com received a huge amount of attention.

One participating photographer is Pete Eckert, an artist with multiple degrees in design and sculptue who only turned to photography after losing his vision in the mid-1980s. He opens the shutter on his camera and then uses flashlights, lasers, lightes, andcandles to paint his scene on film. He explains: 'The human brain is wired for optical inpult, for visulization. The optic nerve bundle is huge. Even with no inpult, or maybe especially with no inpult, the brain keeps creating images. im a very visual person. I just can"t see. 'Sightes photographers always talk about the difficulty of what they call "seeing."" Eckert adds. ""I tell them "If you can"t see, its because your vision is getting in the way.

Perhaps the most experienced blind photographers come from New York City"s Seeing With Photography Collective, which has been shooting blind since 1988 under the direction of Mark Andres. The Riverside exhibition features some collaborative group work, bat also pieces by individual members. One of those is Sonia Soberats, who explains. 'When I tell people I do photography, they dontt believe me. When a person achieves something that others think you can"t because you ae blind, you eel it much more.' Another individually recognized collective     
artist is Steven Erra, who says, "I only see parts of things at a time, very small areas at one time. These pictures that we"re taking now concentrate on one area at a time. A sharpness, a blurriness, a sharpness, a blurriness, your eyes are always going from one to the other, which is how I view the world, too." 
McCulloh has been pursuing these blind photographers for more than a decade, and began pitching the idea of this show four years ago. But the time became right this year, he says because "im convinced of its importance. The main trigger is that ive seen a real groundswell of interest around the world in a whole lot of different places, including Tel Aviv, Czechoslovakia, Mexico City, London, Los Angeles.... I felt like the movement was really there." Thanks to crowds and critical acclaim, the exhibit seems likely to show again in Mexico City after leaving Riverside. 
Disponível em: . Acesso em: jun. 2012. (adaptado) 

De acordo com o texto, os fotógrafos cegos caracterizam-se por     

Questão 23687

The Art and Heart of Blind Photographers 

By Matt Kettmann Santa Barbara Sunday, May 17,2009

Blind photography: the very concept sounds like an oxymoron. But an intriguing and often striking exhibition of photographs in Riverside, California, argues that it emanates from the core of contemporany art. The show 'Sight Unseen,' at the Clifornia Museum of Photography auntil Aug. 29, features everything from underwater scenes off Catalina Island, transvestites in New Orleans and Brailleenhanced black-and-whites as well as portraits, nudes, landscapes, travel shots, abstracts, collages, and context is blindness: the photographers are legally blind, some born without sight or with limited vision over time. And that is why, argues the man who organized the show, they are at the very heart of art. 

'The whole trajectory of modern art for the last 100 years has been toward the concept of mental construction, and blind photography comes form that place,' says the show"s "sighted" curator Douglas Mc Culloh, himself a photographer . ' They"re creating that image in their head first — really elaborate, fully realized visions —and then bringing some version of that vision into the world for the rest of us to see. ' A sample of the photographs posted by TIME.com received a huge amount of attention.

One participating photographer is Pete Eckert, an artist with multiple degrees in design and sculptue who only turned to photography after losing his vision in the mid-1980s. He opens the shutter on his camera and then uses flashlights, lasers, lightes, andcandles to paint his scene on film. He explains: 'The human brain is wired for optical inpult, for visulization. The optic nerve bundle is huge. Even with no inpult, or maybe especially with no inpult, the brain keeps creating images. im a very visual person. I just can"t see. 'Sightes photographers always talk about the difficulty of what they call "seeing."" Eckert adds. ""I tell them ""If you can"t see, its because your vision is getting in the way.

Perhaps the most experienced blind photographers come from New York City"s Seeing With Photography Collective, which has been shooting blind since 1988 under the direction of Mark Andres. The Riverside exhibition features some collaborative group work, bat also pieces by individual members. One of those is Sonia Soberats, who explains. 'When I tell people I do photography, they dontt believe me. When a person achieves something that others think you can"t because you ae blind, you eel it much more.' Another individually recognized collective     
artist is Steven Erra, who says, "I only see parts of things at a time, very small areas at one time. These pictures that we"re taking now concentrate on one area at a time. A sharpness, a blurriness, a sharpness, a blurriness, your eyes are always going from one to the other, which is how I view the world, too." 
McCulloh has been pursuing these blind photographers for more than a decade, and began pitching the idea of this show four years ago. But the time became right this year, he says because "im convinced of its importance. The main trigger is that ive seen a real groundswell of interest around the world in a whole lot of different places, including Tel Aviv, Czechoslovakia, Mexico City, London, Los Angeles.... I felt like the movement was really there." Thanks to crowds and critical acclaim, the exhibit seems likely to show again in Mexico City after leaving Riverside. 
Disponível em: . Acesso em: jun. 2012. (adaptado) 

According to the text, blind photography 

Questão 23688

The Art and Heart of Blind Photographers 

By Matt Kettmann Santa Barbara Sunday, May 17,2009

Blind photography: the very concept sounds like an oxymoron. But an intriguing and often striking exhibition of photographs in Riverside, California, argues that it emanates from the core of contemporany art. The show 'Sight Unseen,' at the Clifornia Museum of Photography auntil Aug. 29, features everything from underwater scenes off Catalina Island, transvestites in New Orleans and Brailleenhanced black-and-whites as well as portraits, nudes, landscapes, travel shots, abstracts, collages, and context is blindness: the photographers are legally blind, some born without sight or with limited vision over time. And that is why, argues the man who organized the show, they are at the very heart of art. 

'The whole trajectory of modern art for the last 100 years has been toward the concept of mental construction, and blind photography comes form that place,' says the show"s "sighted" curator Douglas Mc Culloh, himself a photographer . ' They"re creating that image in their head first — really elaborate, fully realized visions —and then bringing some version of that vision into the world for the rest of us to see. ' A sample of the photographs posted by TIME.com received a huge amount of attention.

One participating photographer is Pete Eckert, an artist with multiple degrees in design and sculptue who only turned to photography after losing his vision in the mid-1980s. He opens the shutter on his camera and then uses flashlights, lasers, lightes, andcandles to paint his scene on film. He explains: 'The human brain is wired for optical inpult, for visulization. The optic nerve bundle is huge. Even with no inpult, or maybe especially with no inpult, the brain keeps creating images. im a very visual person. I just can"t see. 'Sightes photographers always talk about the difficulty of what they call "seeing."" Eckert adds. ""I tell them ""If you can"t see, its because your vision is getting in the way.

Perhaps the most experienced blind photographers come from New York City"s Seeing With Photography Collective, which has been shooting blind since 1988 under the direction of Mark Andres. The Riverside exhibition features some collaborative group work, bat also pieces by individual members. One of those is Sonia Soberats, who explains. 'When I tell people I do photography, they dontt believe me. When a person achieves something that others think you can"t because you ae blind, you eel it much more.' Another individually recognized collective     
artist is Steven Erra, who says, "I only see parts of things at a time, very small areas at one time. These pictures that we"re taking now concentrate on one area at a time. A sharpness, a blurriness, a sharpness, a blurriness, your eyes are always going from one to the other, which is how I view the world, too." 
McCulloh has been pursuing these blind photographers for more than a decade, and began pitching the idea of this show four years ago. But the time became right this year, he says because "im convinced of its importance. The main trigger is that ive seen a real groundswell of interest around the world in a whole lot of different places, including Tel Aviv, Czechoslovakia, Mexico City, London, Los Angeles.... I felt like the movement was really there." Thanks to crowds and critical acclaim, the exhibit seems likely to show again in Mexico City after leaving Riverside. 
Disponível em: . Acesso em: jun. 2012. (adaptado) 

De acordo com o texto, os fotógrafos cegos 

Questão 23689

The Art and Heart of Blind Photographers 

By Matt Kettmann Santa Barbara Sunday, May 17,2009

Blind photography: the very concept sounds like an oxymoron. But an intriguing and often striking exhibition of photographs in Riverside, California, argues that it emanates from the core of contemporany art. The show 'Sight Unseen,' at the Clifornia Museum of Photography auntil Aug. 29, features everything from underwater scenes off Catalina Island, transvestites in New Orleans and Brailleenhanced black-and-whites as well as portraits, nudes, landscapes, travel shots, abstracts, collages, and context is blindness: the photographers are legally blind, some born without sight or with limited vision over time. And that is why, argues the man who organized the show, they are at the very heart of art. 

'The whole trajectory of modern art for the last 100 years has been toward the concept of mental construction, and blind photography comes form that place,' says the show"s "sighted" curator Douglas Mc Culloh, himself a photographer . ' They"re creating that image in their head first — really elaborate, fully realized visions —and then bringing some version of that vision into the world for the rest of us to see. ' A sample of the photographs posted by TIME.com received a huge amount of attention.

One participating photographer is Pete Eckert, an artist with multiple degrees in design and sculptue who only turned to photography after losing his vision in the mid-1980s. He opens the shutter on his camera and then uses flashlights, lasers, lightes, andcandles to paint his scene on film. He explains: 'The human brain is wired for optical inpult, for visulization. The optic nerve bundle is huge. Even with no inpult, or maybe especially with no inpult, the brain keeps creating images. im a very visual person. I just can"t see. 'Sightes photographers always talk about the difficulty of what they call "seeing."" Eckert adds. ""I tell them ""If you can"t see, its because your vision is getting in the way.

Perhaps the most experienced blind photographers come from New York City"s Seeing With Photography Collective, which has been shooting blind since 1988 under the direction of Mark Andres. The Riverside exhibition features some collaborative group work, bat also pieces by individual members. One of those is Sonia Soberats, who explains. 'When I tell people I do photography, they dontt believe me. When a person achieves something that others think you can"t because you ae blind, you eel it much more.' Another individually recognized collective     
artist is Steven Erra, who says, "I only see parts of things at a time, very small areas at one time. These pictures that we"re taking now concentrate on one area at a time. A sharpness, a blurriness, a sharpness, a blurriness, your eyes are always going from one to the other, which is how I view the world, too." 
McCulloh has been pursuing these blind photographers for more than a decade, and began pitching the idea of this show four years ago. But the time became right this year, he says because "im convinced of its importance. The main trigger is that ive seen a real groundswell of interest around the world in a whole lot of different places, including Tel Aviv, Czechoslovakia, Mexico City, London, Los Angeles.... I felt like the movement was really there." Thanks to crowds and critical acclaim, the exhibit seems likely to show again in Mexico City after leaving Riverside. 
Disponível em: . Acesso em: jun. 2012. (adaptado) 

According to the text, the show Sight Unseen  
 

Questão 23690

The New Face of Rap: Young, Female and Ready to Blog 
The confessional, sweet talk-rap style of Kitty Pryde and Kilo Kish ushers in a new era in hip hop 
Two new Internet stars were born this month. Operating under the monikers Kitty Pryde and Kilo Kish, the two young women employ a sweet, sing-songy talk-rap style over synthy, provocative beats, and have gained their momentum more through Tumblr reblogs than YouTube views. Both started their music careers on a whim: Kitty Pryde began rapping to entertain her friends; Kilo Kish would drop the odd rhyme or two over beers with her rapper roommate. “For the most part, my general attitude is that it’s just like, it’s funny. It’s fun for me. It’s a joke,” says Pryde. Kish may agree, as she says in an interview with Vibe: “I’m still just kidding around which is kind of the point.”  
Their straightforward, intimate rhymes about everyday “girl” topics—feelings, relationships—are insightful and familiar. Pryde and Kish quickly garnered interest from young producers affiliated with champions of the DIY rap scene, and soon began putting out music that caught the eyes of critics, and gained them rapidly growing fanbases online. 
While they both share similar origin stories and possess a penchant for rapping over ambient, trippy production, Kish is older, and her maturity is reflected in her songs. She’s helped along by the finesse and direction of The Super 3, a production duo associated with Odd Future, the popular L.A. hip hop collective that’s enjoyed a meteoric ascent from internet to mainstream fame over the past two years. Kish often feels at arm’s length from her music, and her online presence is more guarded than Pryde, who doesn’t seem to filter much. Kish answers fans’ questions and posts images of aspirational home décor. Pryde writes about her family, her boyfriends, her mall job, her insecurities, and agrees with Internet haters’ comments about herself. 
Disponível em . Acesso em: 04 jul. 2012. 

De acordo com o texto, infere-se que Kitty Pryde e Kilo Kish tornaram-se famosas devido, principalmente, 

Questão 23691

The New Face of Rap: Young, Female and Ready to Blog 
The confessional, sweet talk-rap style of Kitty Pryde and Kilo Kish ushers in a new era in hip hop 
Two new Internet stars were born this month. Operating under the monikers Kitty Pryde and Kilo Kish, the two young women employ a sweet, sing-songy talk-rap style over synthy, provocative beats, and have gained their momentum more through Tumblr reblogs than YouTube views. Both started their music careers on a whim: Kitty Pryde began rapping to entertain her friends; Kilo Kish would drop the odd rhyme or two over beers with her rapper roommate. “For the most part, my general attitude is that it’s just like, it’s funny. It’s fun for me. It’s a joke,” says Pryde. Kish may agree, as she says in an interview with Vibe: “I’m still just kidding around which is kind of the point.”  
Their straightforward, intimate rhymes about everyday “girl” topics—feelings, relationships—are insightful and familiar. Pryde and Kish quickly garnered interest from young producers affiliated with champions of the DIY rap scene, and soon began putting out music that caught the eyes of critics, and gained them rapidly growing fanbases online. 
While they both share similar origin stories and possess a penchant for rapping over ambient, trippy production, Kish is older, and her maturity is reflected in her songs. She’s helped along by the finesse and direction of The Super 3, a production duo associated with Odd Future, the popular L.A. hip hop collective that’s enjoyed a meteoric ascent from internet to mainstream fame over the past two years. Kish often feels at arm’s length from her music, and her online presence is more guarded than Pryde, who doesn’t seem to filter much. Kish answers fans’ questions and posts images of aspirational home décor. Pryde writes about her family, her boyfriends, her mall job, her insecurities, and agrees with Internet haters’ comments about herself. 
Disponível em . Acesso em: 04 jul. 2012. 

As músicas de Kitty Pryde e Kili Kish fizeram sucesso e chamaram a atenção de jovens produtores possivelmente porque

Questão 23692

The New Face of Rap: Young, Female and Ready to Blog 
The confessional, sweet talk-rap style of Kitty Pryde and Kilo Kish ushers in a new era in hip hop 
Two new Internet stars were born this month. Operating under the monikers Kitty Pryde and Kilo Kish, the two young women employ a sweet, sing-songy talk-rap style over synthy, provocative beats, and have gained their momentum more through Tumblr reblogs than YouTube views. Both started their music careers on a whim: Kitty Pryde began rapping to entertain her friends; Kilo Kish would drop the odd rhyme or two over beers with her rapper roommate. “For the most part, my general attitude is that it’s just like, it’s funny. It’s fun for me. It’s a joke,” says Pryde. Kish may agree, as she says in an interview with Vibe: “I’m still just kidding around which is kind of the point.”  
Their straightforward, intimate rhymes about everyday “girl” topics—feelings, relationships—are insightful and familiar. Pryde and Kish quickly garnered interest from young producers affiliated with champions of the DIY rap scene, and soon began putting out music that caught the eyes of critics, and gained them rapidly growing fanbases online. 
While they both share similar origin stories and possess a penchant for rapping over ambient, trippy production, Kish is older, and her maturity is reflected in her songs. She’s helped along by the finesse and direction of The Super 3, a production duo associated with Odd Future, the popular L.A. hip hop collective that’s enjoyed a meteoric ascent from internet to mainstream fame over the past two years. Kish often feels at arm’s length from her music, and her online presence is more guarded than Pryde, who doesn’t seem to filter much. Kish answers fans’ questions and posts images of aspirational home décor. Pryde writes about her family, her boyfriends, her mall job, her insecurities, and agrees with Internet haters’ comments about herself. 
Disponível em . Acesso em: 04 jul. 2012. 

Sobre as duas cantoras, conclui-se, a partir da leitura do texto, que